Call for papers: Image and Imagination in Plato (Seoul, South Korea, Nov. 27–29, 2020)
Plato’s attitude towards images is ambiguous. On the one hand, there are unmistakable signs that he denounces the status of images. In the simile of the Line, he puts images in the lowest subsection. He criticizes image-makers such as poets and painters. One of his main criticisms of the sophists is also that they are image-makers. On the other hand, Plato’s dialogues are full of vivid images. He may even have thought that the use of images and imagination is an intermediate step and a necessary means for achieving the highest level of understanding. How should we account for this ambiguity? Traditional studies on Plato’s views of image and imagination have focused mainly on the Republic and the Sophist, especially on his negative treatments of images and image-makings in them. In recent decades, however, more attention has been given to his positive views both in these dialogues and in other [...]